Writing — Öykü Kolat

Öykü Kolat

Öykü Kolat

Open Curtain: My Neighbor Fürug
A Tale of Two Earthquakes and the Systemic Failure of a Nation
Revolution Red: The Emergence of the Color as an Ideological Identity
On Julia Kristeva’s Approaching Abjection and Audre Lorde’s Uses of the Erotic
On Karl Marx’s The Fetishism of Commodities and the Secret Thereof and Theodor Adorno’s Culture Industry Reconsidered
Relational Aesthetics and David Hopkins’ Duchamp, Childhood, Work and Play: The Vernissage for First Papers of Surrealism, New York, 1942
On Falk Heinrich’s Flesh as Communication and Alexis Clements’ Animating the Archive: Black Performance Art’s Radical Presence
On Jodi Hauptman and Stephanie O’Rourke’s A Surrealist Fact and Henri Matisse’s Notes of a Painter
On Elizabeth Grosz’s Architecture from the Outside and George Perec’s Les Choses
An Innovative Labyrinth: Square Kufic
Julia Kristeva’s Abjection and the Work of Kiki Smith